Now that the final edit is locked, and only a few pieces of post-production remain, we get to watch and appreciate seeing the impact of those last effects. Possibly the most important and yet most under-appreciated of them all is the color correction. Our amazing Colorist Drew Daniels (who yes, was also the film’s Director of Photography) has been slaving away making each and every frame of the film that much more beautiful and balanced, giving the footage (that he himself shot) the crisp silver screen quality it deserves.
To demonstrate what kind of a difference this makes, we’d thought we’d show you some screenshots of the “before” and “after” color correction was applied.
Can you tell which ones are better?